Ogni ordine è contemporaneo d'ogni altro ordine: quattro modi d'esaminare la facciata del ss. Redentore a Venezia (1972-3).
A complete portfolio of 59 screen prints on calendered paper, published in 1973.
The portfolio provides the result of a geometric and conceptual study based on the architectural design of the front of the Church of the Redeemer in Venice, designed by Andrea Palladio.
Limited edition, numbered 98/120 on the colophon.
Hand-signed by the artist Luciano Fabro in pencil on the colophon.
Each screen print measures: 91 x 70 cm
Folder size: 91 x 71 cm
In good conditions; the portfolio folder shows signs of wear and tear.
Printer: Alfredo and Enrico Rossi
Note:
Luciano Frabro uses the language of the Divine Comedy to explain architecture: he divides the 59 screen prints into four visual sections that are assembled one after the other. Each section has a different way of being interpreted. Indeed, in the Convivio, Dante Alighieri explains that every text has four levels of meaning (literal, allegorical, moral and analogical).
Installation dimensions (overall wall size):
Section 1: 253,1 x 213,7 cm
Section 2: 253,3 x 213,8 cm
Section 3: 242,2 x 279,6 cm
Section 4: 253,1 x 213,7 cm
A regular certificate of authenticity and legitimate provenience is provided.
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